Univers was rapidly licensed and re-released by Monotype, Linotype, American Type Founders, IBM and others for phototypesetting, for metal type and reproduction by typewriter. Deberny & Peignot had established itself as a leader in this technology, although as by the time of its launch metal type was still very popular, the design was also released in this form. The design concept of Univers was intended to take advantage of the new technology of phototypesetting, in which fonts were stored as glass discs rather than as solid metal type and matrices for every size to be used. This matched the desire among practitioners of the "Swiss style" of typography for neutral sans-serif typefaces avoiding artistic excesses. By creating a matched range of styles and weights, Univers allowed documents to be created in one consistent typeface for all text, making it easier to artistically set documents in sans-serif type. Past sans-serif designs such as Gill Sans had much greater differences between weights, while loose families such as American Type Founders' Franklin Gothic family often were advertised under different names for each style, to emphasise that they were not completely matching. Univers was one of the first typeface families to fulfil the idea that a typeface should form a family of consistent, related designs. The original marketing for Univers deliberately referenced the periodic table to emphasise its scope. Classified as a neo-grotesque sans-serif, one based on the model of nineteenth-century German typefaces such as Akzidenz-Grotesk, it was notable for its availability from the moment of its launch in a comprehensive range of weights and widths. ![]() The Univers Next Family is a part of the Linotype Platinum Collection and was formerly named Linotype Univers.Univers ( French pronunciation: ) is the name of a large sans-serif typeface family designed by Adrian Frutiger and released by his employer Deberny & Peignot in 1957. Frutiger was successful in staying true to his initial aims the new Linotype Univers does indeed work in longer texts as well as for display settings. In fact, the strong familial relationships between all the styles and weights make it a serviceable choice for large graphic design projects that require versatility with consistency. ![]() With its sturdy, clean forms Univers can facilitate an expression of cool elegance and rational competence. The systemized numbering system has also been updated. ![]() By following Frutiger's original designs, the humanist character of the sans serif Univers now comes through more distinctly. The stroke weights were revised for consistency within each face as well as in relationship to the other weights. ![]() The bold and condensed weights were reworked for improved legibility and on-screen application. The family was expanded from 27 to 63 weights, providing a much larger framework to graphic designers for choosing just the right style. All the existing weights were completely redrawn, with careful attention paid to making the proportions more consistent with each other and improving fine details such as curves and thick-to-thin stroke ratios. The result: a brilliant and cohesive font family of 63 weights and styles including the 4 monospaced typewriter weights. After a long process of painstakingly detailed revision, Adrian Frutiger and the design team at Linotype completed this large joint project in 1997. Univers Next is a completely reworked version of the original Univers family of typefaces designed by Adrian Frutiger in 1957.
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